”I saw very quickly my self-esteem improve. I quit belittling myself and slowly grew to the idea, that I am gifted, talented, capable and when I want, also a handsome young man. From morning till night, from day to day and also those days when there were no rehearsals I felt I was good, I was happy and had courage to smile, enjoy myself and the things important to me.”

”Our theatre workshop having begun I felt very thankful. I learned, that I can achieve more than what I had believed. Baltzar never leaves an actor alone, he makes an actor continuously take new steps in seeking his/her role – he changes the circumstances and and frames to stir up creativity in the actor. His way of making theatre is very 'Gypsy' – improvising, flexible and more of a process than concentrating on a product, which is very inspiring.” 

”In Baltzar's theatre we do it in a different way than in other places. After initial confusion, I later realized that in Theater Baltzar technique does not come first, but the individual is in the center of everything, the expression that stems from his/her inner self. Baltzar concentrates on that person and only after that gives him/her technical requirements. So under his direction, you can grow first and then start to do those technical things, that is maybe the best thing. You don’t need to be ready immediately.”

”Usually only after we have collected emotional experiences, made mistakes, corrections, and found new ways, experiences start to slowly find their places, their order in our minds. Realizations learned at the end of this process then rise to the conscient level. (...) Our director uses lots of metaphors and expressions that function primarily at the level of the subconscious. He does not demand us to understand things in theory, he teaches by example."